Impact Video Games History

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Lanza del Vasto noted a deep connection between play and war, even before the games theory and nuclear war strategy became practically identified. In our society, everything, in fact, is a game. But if everything is a game, then everything leads to war. Play is aimless and yet multiplies obstacles so that the “aim,” which in fact does not exist, cannot be attained by the opponent. For instance, getting a ball in a hole. War is caused by similar aimless aims. Not by hunger, not by real need. War is a game of the powerful, or of whole collectivities devoted to self-assertion. It is “the great public vice that consists in playing with the lives of men.” War plays with life and death, and does so magnificently. Everybody becomes involved. Everybody has to live or die—so that other side may not get a ball in a hole.
—Thomas Merton (1915–1968)

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For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values—or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be—to be through her son, to live through her son.
—Andrea Dworkin (b. 1946)